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English Vocabulary in Use: Upper-intermediate is the third level of four in the family of best-selling vocabulary reference and practice books, ideal for self-study or classroom use. English Vocabulary in Use: Upper-intermediate includes 100 units presenting vocabulary in typical contexts appropriate to B2 level. This third edition has been fully revised and updated using the English Profile wordlists to ensure coverage of all key words and phrases apppropriate at this level. A common mistakes feature informed by the Cambridge English Corpus also ensures that vocabulary is useful and up-to-date. The accompanying CD-ROM, with audio, provides hundreds of interesting and enjoyable exercises to further challenge the learner, as well as wordlists, tests and dictionary support.

• Sales Rank: #479443 in Books
• Published on: 2012-07-16
• Original language: English
• Number of items: 1
• Dimensions: 10.39" h x .55" w x 7.72" l, 1.55 pounds
• Binding: Paperback
• 280 pages

About the Author
Michael McCarthy is Professor Emeritus of Applied Linguistics at the University of Nottingham, UK.

fm.author_biographical_note1

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0 of 0 people found the following review helpful.
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Perfect for study

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[H286.Ebook] Free PDF Swiss Graphic Design: The Origins and Growth of an International Style, 1920-1965, by Richard Hollis

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Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic artists saw design as part of industrial production and searched for anonymous, objective visual communication. They chose photographic images rather than illustration, and typefaces that were industrial-looking rather than those designed for books.Written by noted design authority Richard Hollis, this lavishly illustrated volume looks at the uniquely clear graphic language developed by such Swiss designers as Theo Ballmer, Max Bill, Adrian Frutiger, Karl Gerstner, Armin Hoffman, Ernst Keller, Herbert Matter, Josef Müller-Brockmann, and Jan Tschichold. The style of these artists received worldwide admiration for its formal discipline: images and text were organized by geometrical grids. Adopted internationally, the grid and sans serif typefaces such as Helvetica became the classic emblems of Swiss graphic design.Showcasing design work across a range of media, including posters, magazines, exhibition displays, brochures, advertisements, books, and film, this essential book shows how many of the Swiss designers’ modernist elements remain an indispensable part of today’s graphic language.

• Sales Rank: #1150461 in Books
• Published on: 2006-04-28
• Original language: English
• Number of items: 1
• Dimensions: 1.10" h x 8.60" w x 10.90" l, 3.13 pounds
• Binding: Hardcover
• 272 pages

About the Author
Richard Hollis is a graphic designer and scholar of design. His previous books include Graphic Design: A Concise History (2002).

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16 of 18 people found the following review helpful.
Tineline confusion
By KenH
Hollis's book, while extensive in its documentation and admirable in its visual organization of the Swiss developments, comes to several conclusions which should be questioned. The first is the disproportionate and misguided prominence afforded Theo Ballmer as a prime influence stemming from his experience at the Bauhaus. Whatever Ballmer's influence as a poster designer in the 20s was, he had gotten his essential training in the Basel school, which underwent its own ongoing and largely independent modernist development, prior to Ballmer's very brief time at the Bauhaus. The Bauhaus influence is deemed minor by the emerging Basel school, and Ballmer's later influence in teaching photography and lettering has to be considered a lesser one.

Significant also is the confusion in reporting influences in development of the cutting edge Geigy Pharmaceuticals graphics program where the influences of Armin Hofmann and Emil Ruder as educators of the leading Geigy designers are missing. While this is inferred on page 162 in the statement that "the Geigy style originated in the teaching at the Allgemeine Gewerbeschule," the key influences in Basel--Hofmann and Ruder--are not mentioned.

Similarly, Hollis attributes Müller-Brockman's "conversion" to the influences of Lohse and Vivarelli, the evidence being the concert hall posters of 1951 and 52. While this is definitely a move in that direction from an earlier illustrative style, the most convincing change, and the style by which Müller-Brockman is widely known, emerged on the hiring of graduates of the Basel school under Armin Hofmann in 1955. This means that Hofmann and Ruder pre-date Müller-Brockman's mature style instead of being placed as p. 214 as a separate and later development--and not as a precursor feeding the larger Swiss development from a more humanistic perspective than the more constructivist direction of the Zürich school. One can argue about which contributed most to the international prominence of Swiss design, but Hollis's own statement p. 215 regarding the world-wide significance of Hofmann's Graphic Design Manual, Principles and Practice, on education is telling. Müller-Brockman's more objective approach was probably more influential in the world of corporate graphics.

Hollis betrays a bias, perhaps, in his strange analysis of Hofmann's Tell poster and omits such key poster achievements as the "Switzerland in the Roman Era" (1957). It is unfortunate that Hollis did not interview Armin and Dorothea Hofmann. They are few of the remaining key figures from the era of Hollis's investigation.

5 of 5 people found the following review helpful.
To go boldly with Helvetica
By Robin
The 'Swiss style' comes alive in this fascinating and very comprehensive study. If you design for print and ever wondered how some everyday graphic principles and typefaces originated the answer is in these pages. The story begins in twenties central Europe with a merging of modern art, the Bauhaus, Russian constructivism, craft printing techniques, photography and strong cultural attitudes in German speaking Zurich. All of these influences produced a graphic language of simplicity and directness that spread across Switzerland and one would expect nothing less from a country associated with order and precision.

Interesting as the text is I was particularly impressed with the several hundred illustrations (all with extensive captions) and as this is a book about a visual style and basically a printed one the choice of posters, examples of typography and many spreads from brochures, magazines, books all work well to complement the words.

I was interested in the several pages devoted to the magazine 'Neue Grafik' (New Graphic Design) which was the flagship publication of the Zurich modernists. It only ran for seventeen issues (from 1958 to a double issue seventeen and eighteen in 1965) but was really the only opportunity for designers outside Switzerland to see what was going on. Strangely, despite the design aiming for clarity, reading the issues was a bit of a chore. Three languages were set in each edition in one typeface and one size with paragraphs stretching sometimes to hundreds of words with no par indents or line space. However each spread looked fresh and lively thanks to the publication's grid.

I think it is worth commenting on the book's production. Designed by the author it uses a two column grid but nicely many pages just have one column of text and the space for the other text column is divided into two and used for illustrations and captions. The many variations of these column elements really make the pages sparkle and I think many publication designers could learn something by studying how the text and graphics blend together throughout the book.

Richard Hollis is to be congratulated on writing and designing a book that will surely be regarded as the definitive study about the origins of the Swiss Style.

***FOR AN INSIDE LOOK click 'customer images' under the cover.

2 of 2 people found the following review helpful.
Un libro recomendable para amantes del diseño gráfico
By Juanjo Rogado Albert
Una magnífica edición. Muchas imágenes, alguna un poco pequeña - para el tipo de imagen, se echa en falta quizá alguna imagen de detalle o incluso un encarte -, pero en líneas generales muy buena selección, y cantidad de imágenes.

Los contenidos interesantes, por tratarse de una generación histórica en el diseño gráfico universal. Es un libro muy recomendable.

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• Sales Rank: #1365068 in Books
• Brand: Brand: Quintessence Pub Co
• Published on: 2003-01
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 8.50" w x 1.50" l,
• Binding: Hardcover
• 525 pages

Features

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Review
This text will prove to be a much referred-to resource for removable partial prosthodontics. It is appropriate reading for anyone involved in the field, from novice to seasoned practitioner. --William J. Maloney, DDS, - The New York State Dental Journal, January 2009

Most helpful customer reviews

4 of 4 people found the following review helpful.
Practical textbook.
By OnTheSquare
This book has a very practical approach to RPD construction. The many illustrations make the subject extremely comprehensible. It makes a good reference in dentist's professional library and very helpful to new graduates.

10 of 10 people found the following review helpful.
EXCELLENT Prosth Text
By Enoki
Great illustrations with clear labels, point-form summaries. Amazing review for exams/ boards. Very comprehensive and very readable. Some designs look a little esoteric but still very useful. Wish I had it when I was in dental school.

2 of 2 people found the following review helpful.
Dental tech overview
By louisag1976
Very detailed & informative .covers every aspect of prosthodontics.I recommend reading a preclinical manual prior to this .

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• Sales Rank: #864620 in Books
• Brand: Brand: Fortress Press
• Published on: 2008-01-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .57" w x 6.00" l, .77 pounds
• Binding: Paperback
• 224 pages

Features

• Used Book in Good Condition

About the Author
Norma Cook Everist is Professor of Church Administration and Educational Ministry at
Wartburg Seminary. She is editor of The Difficult but Indispensable Church (2002, 978-0-8006-3478-0) and author of Open the Doors and See All the People (2004, 978-0-8066-5161-3).

Craig Nessan is Academic Dean and Professor of Contextual Theology at Wartburg Seminary. He is author of many books including Beyond Maintenance to Mission (1999, 978-0-8006-3152-9).

Most helpful customer reviews

1 of 1 people found the following review helpful.
Amazon Verified Purchase -
By hobbit
This was a comprehensive book and easy to read. Topics were relevant for issues addressed in ministry and many good reflection questions. I will definitely use this as an ongoing resource in my ministry.

1 of 1 people found the following review helpful.
Great read f0r school and pastoral leaders
By Kermit
I enjoyed this book because it gave me new perspectives on leadership and how to better equipped with dealing with challenges to your leadership.

0 of 0 people found the following review helpful.
Another great book by one of my favorite authors!
By elan hacker
I know this book is fantastic, not because I have read it, because I haven't yet, but because the person I loaned it to is finding it so useful and so helpful I don't have the heart to ask for it back! I will simply have to order another!

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Transforming Leadership: New Vision for a Church in Mission (Prisms), by Norma Cook Everist PDF
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[T734.Ebook] Ebook Download The Art of Strategy: A New Translation of Sun Tzu's Classic The Art of War, by R.L. Wing

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More than 2,500 years ago, Sun Tzu composed his masterpiece The Art of War which has been used by the world's greatest leaders including Napoleon. Here, Wing makes the influential philosophies of the Orient accessible to all seekers of professional achievement and personal excellence. 20 halftones, 35 illustrations.

• Sales Rank: #416896 in Books
• Published on: 1988-04-01
• Released on: 1988-04-01
• Original language: English
• Number of items: 1
• Dimensions: 10.86" h x .50" w x 8.34" l, 1.10 pounds
• Binding: Paperback
• 176 pages

Features

• business
• new age
• history

Language Notes
Text: English, Chinese (translation)

Most helpful customer reviews

16 of 16 people found the following review helpful.
Brilliant! A brilliant piece of a complex whole
By Jeri Massi
Chinese language and culture differ so strongly from American thought and culture that it is impossible to think that a single translation of a classic Chinese text can give the reader the complete experience of having read the text in its original language and context. RL Wing's translation brilliantly shines a light on the ART OF WAR.
I came to Wing's translation after having studied and studied the old public domain English translation with its copius notes and explanations. Wing gives the reader a tremendous insight into THE ART OF WAR, the brevity and compactness of Chinese language expression, the morality and thinking of Sun Tzu, and the different ways that the Eastern mind comprehends war from the Western mind.
If you are a dedicated student of Sun Tzu's ART OF WAR, this translation belongs in your collection. I don't know if it's the best or not, but it's a vital translation. If peace is your highest aim and the resolution of conflict without coming to violence is your highest aspiration, this book displays the wisdom of the great general in terms that clarify meaning for Western readers.

69 of 70 people found the following review helpful.
A well-defined interpretation of Sun Tzu's Classic work
By Robert L. Coppedge
Why isn't it called the "Art of War?" Because Wing hits on a point missed by most translations. Sun Tzu's objective in writing the classic book was, as Wing puts it, "The achievement of triumph through tactical positioning, without resorting to battle."
The book is divided as the original. Brief, to the point, and put forth in such a way to invite the reader to contemplate each section, with comments by the author as to how it relates to different levels of conflict...environmental, interpersonal, between leaders, and within ones self. This structure allows the reader to use this book as both discovery and reminder. I've carried the book around for years, using it to remind me how to deal with situations.
I've read several versions of "the Art of War," and value this one the most. It's highly recommended, and very useful, both personally and professionally.

0 of 0 people found the following review helpful.
Five Stars
By David Wilson
Amazing book for any fan of The Art of War. very easy to understand.. I love it!

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[I593.Ebook] Download The Great Ideas - A Syntopicon - II (Man To World) (Vol. 3 of Great Books Of The Western World Collection)From Encyclopaedia Britannica

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• Sales Rank: #867068 in Books
• Published on: 1952
• Binding: Hardcover
• 1346 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Good to have
By Joseph Chen
This book is great.
Everyone should have one for their own good.
The Great Ideas are the vocabulary we used everyday.
No one should neglect the importance of the great ideas.

1 of 2 people found the following review helpful.
Five Stars
By Debra Ochoa
great!

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[H195.Ebook] PDF Ebook Roadside Geology of Connecticut and Rhode Island (Roadside Geology Series), by James W. Skehan

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The small chunk of North America enclosed within the state boundaries of Connecticut and Rhode Island includes parts of at least six former continents, microcontinents, and volcanic island chains, each with its own geologic history. Roadside Geology of Connecticut and Rhode Island introduces readers to the sequence of mountain-building collisions that welded the pieces of land together and to the subsequent upwelling of magma that nearly broke them apart again. Twenty road
guides, complete with maps, photographs, and diagrams, locate
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highways and at nearby parks and historic sites. Readers will discover stretched pebbles at Purgatory Chasm, folded marble
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• Sales Rank: #628674 in Books
• Brand: Brand: Mountain Press Publishing Company
• Published on: 2008-09-20
• Original language: English
• Number of items: 1
• Dimensions: 8.94" h x .65" w x 6.10" l, 1.27 pounds
• Binding: Paperback
• 304 pages

Features

• Used Book in Good Condition

About the Author
James W. Skehan is a professor emeritus in the Department of Geology and Geophysics at Boston College and a director emeritus of
Weston Observatory. He holds a doctorate in geology from Harvard University as well as a master s in theology from Weston College. As a Jesuit priest and geologist, he actively promotes dialogue between scientists and theologians. In 2002 he was honored to have Skehanos quadrangularis, a trilobite that lived 505 million years ago, named for him. Skehan is the author of Roadside
Geology of Massachusetts as well as many other books and articles.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Fun and Useful
By Seanreviews
This was a really great book. Some of the roadside geology books are just roadcuts but this does a great job of taking you through the historical geology of the area. I have been a geologist in the RI area for 30 years and still found I learned things in this book.

9 of 10 people found the following review helpful.
Yes, small states can have interesting geology too
By W. Walker
If you were impressed by "Roadside Geology of Massachusetts",expect the same detailed, yet quite readable, treatment by the same author. Dr. Skehan is lucky to have 3 of the smallest states as his assignment, enabling him to cover nearly every significant aspect of the present and past geology of these states in a space equal to that devoted to many much larger states in others of this book series. Just because these states lack tall mountains, present volcanic activity, or great mineral wealth, by no means assume that their geology is boring and simple to grasp. As with most other northern Atlantic seaboard states, their terrain includes bits of a number of exotic land masses from the distant past welded on during tectonic plate collisions, as well as evidence of past rift valleys associated with the breakup of Pangea, as detailed in this book. This is the first book among the the many in this series that I possess that includes color photographs(quite a few), perhaps an indication of a new trend?

0 of 0 people found the following review helpful.
Excellent Geology Book
By Richard Ouellette
Another excellent Roadside geology book. Among the best of the series. This book is clear and well written. Can not ask for more.

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An essential book on modern architecture: one hundred of the most significant houses of the past hundred years.

From the first stirrings of modernity in the early twentieth century to the present, the house has served as a test bed of design experimentation, the place where architects have sought to create new forms and to offer new domestic lifestyles. Alvar Aalto, Buckminster Fuller, Rudolph Schindler, Frank Lloyd Wright, Frank Gehry, Eileen Gray, Charles and Ray Eames, Charles Gwathmey, Carlo Scarpa, Herzog & de Meuron: most great architects of the past hundred years have begun or catalyzed their careers with an iconic house.

The introduction looks at the historical and social motivations behind epoch-making residential architecture, showing in sidebars twenty of the most important early examples. Then eighty houses—sixty of which have been specially photographed—are presented chronologically. The text describes the all-important relationship between architecture and client, the physical context in which the house is set, and the pivotal role the house played in the development of the architect’s career and architecture in general.

Concise architect biographies and a list of key buildings accompany each house, while photographs and easy-to-read plans bring the words to life. 570 color, 84 b&w illustrations

• Sales Rank: #1379007 in Books
• Published on: 2009-11-02
• Original language: English
• Number of items: 1
• Dimensions: 11.30" h x 1.50" w x 10.60" l, 5.50 pounds
• Binding: Hardcover
• 352 pages

Review
"A pretty much definitive guide to the houses that have come to define modern architecture." --Wallpaper

"Stunningly conveys a sense of the momentum of the past century of architectural history...." --Architectural Record

“A stunning array of the past century’s architectural masterpieces…. Tells the intimate stories of these remarkable buildings and their architects and clients. Informative texts, specially commissioned photographs, and a wealth of floor plans and drawings offer detailed documentation” (Architectural West)

“Stunningly conveys a sense of momentum of the past century of architectural history…. Thrilling…” (Architectural Record)

“Intelligent text, several pages of photographs and what really sets this book apart: floor plans. A keeper.” (Pittsburgh Post-Gazette)

“An insightful tour of 100 remarkably innovative houses designed during the past century by architects including Frank Lloyd Wright, Frank Gehry and Rem Koolhaas.” (Wall Street Journal)

“A chronological survey of 100 cutting-edge dwellings by great architects, including Le Corbusier, Frank Lloyd Wright, and Rem Koolhaas, illuminating each with photographs, floor plans, and a biography of its creator.” (Elle Decor)

From the Author
"A pretty much definitive guide to the houses that have come to define modern architecture" Wallpaper.

About the Author
Dominic Bradbury is a design writer.

Richard Powers is an architectural and interiors photographer.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Great coffee table book
By K. Alexander
This book is informative and educational with wonderful pictures. Although the topic suggests it will only be useful for those with architectural backgrounds, I found the book wasn't too specific with jargon and will inspire most.

3 of 5 people found the following review helpful.
Great!!!
By Mary A. Hurt
This book is great. My son who is an architect was thrilled to receive this beautiful book as a Christmas gift.

I want to thank you for your excellent service. I received the book less than 24 hours after I ordered it!!!!! Amazon.com is wonderful!!

MAH

4 of 4 people found the following review helpful.
Just a Little More....
By floozina
I love this book despite its weight (literal, not literary). My greatest problem is that I want more information which of course means that I have to get off my butt and look for it which is no bad thing in itself.

As an overview of the 'iconic' or best-known houses of the 20th century it is fine; it includes most of the houses one would expect to see and some one would not have expected. The major omission to my mind is Frank Lloyd Wright - Falling Water is here of course, but none of the Usonian or Prairie houses.

Given these relatively minor gripes, I have found this book to be fascinating, especially to a reader who is passionately interested in residential architecture.

See all 6 customer reviews...

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