[X253.Ebook] Ebook THE SICILIAN'S MARRIAGE ARRANGEMENT (Harlequin comics), by Lucy Monroe

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THE SICILIAN'S MARRIAGE ARRANGEMENT (Harlequin comics), by Lucy Monroe

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Raised by her rich grandfather, Hope is a very introverted girl. She'’s never been able to talk to man, but that doesn'’t stop her from crushing on the sexy, billionaire playboy Luciano. At her grandfather'’s annual New Year'’s Eve party, she meets him again—and would you believe it, he picks her to kiss for the new yearwhen the clock strikes twelve! Hope'’s confused, but she has no idea Luciano and her grandfather have secretly signed a business deal involving her. She'’s just too happy!

• Sales Rank: #803913 in eBooks
• Published on: 2016-01-17
• Released on: 2016-01-17
• Format: Kindle eBook

Most helpful customer reviews

9 of 9 people found the following review helpful.
Funny, Romantic, Enjoyable.
By SMP
Funny, Romantic and Enjoyable. This is how I describe "The Sicilian's Marriage Arrangement". Hope Bishop was not your usual virginal heroine. She was strong and knew her own limitations. And although she had been secretly in love with Sicilian tycoon Luciano di Valerio since her teen years, she did not allow him to walk all over her.

In this book the hero, Luciano is taken down a peg or two when he expects Hope to just fall over in gratitude when he shows her attention and she doesn't. She is innocent, but as the saying goes, she "was not born yesterday.

Great Romantic Read.

9 of 10 people found the following review helpful.
Excellent Book !
By E.Capri
Well I think all the other reviews have said it, this book was a gem I loved both the Hero and the Heroine. Hope was a sweetheart you didnt get the impression she was a just a poor little rich girl whinning about not being loved you or rather I felt genuine sympathy for the way she was treated by her grandfather and other characters in the book...Enters Luciano big time alpha-male and sicilian to boot. He made me laugh alot because he believed in everything he was saying and doing even if it seemed archaic to Hope herself who although shy and laid back was no doormat when she was pushed to her limits. I loved that this book didn't start like so many Harlequin Presents with the main characters at odds with one another from the word go. You got to see their affection and then ultimately love for one another grow, shift and change through the progression of the story. Which in a lot of cases with these stories are the exact opposite where you have the characters going for eachothers throats at the word "go" and then the author has to tell this complete back story of how they once were lovers and are now mortal ememies and how they get back to be lovers once more. This story was a breath of fresh air. Kudos to Lucy Monroe!

5 of 5 people found the following review helpful.
Boring and 'Hope'less
By Anusha
The heroine's name was Hope. And she was absolutely hopeless. And the hero was hopeless too. He treated her so badly! Not that I've not seen misunderstanding leading to ill treatment earlier, but this was disgusting and humiliating.
Spoilers: To have sex with his wife everyday (for a long time) without saying even a word to her in the day, refusing to talk to her, just because he thought that she schemed the marriage with him? Is that such a capital offense which demands such a treatment? And she takes all that crap, yet another reviewer has said she was no doormat when pushed to limits... well perception matters. :) And all of sudden in the end, he says he was sort of in love with her since ever.
I was so put off, I decided never to read another Lucy Monroe book, but then I read "The Greek Tycoon's Ultimatum". That was very good book, and I'm glad I read it. I will be hope'ful' and try other Books by Monroe

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[F206.Ebook] Free Ebook Texts from Jane Eyre: And Other Conversations with Your Favorite Literary Characters, by Mallory Ortberg

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Hilariously imagined text conversations―the passive aggressive, the clever, and the strange―from classic and modern literary figures, from Scarlett O'Hara to Jessica Wakefield

Mallory Ortberg, the co-creator of the cult-favorite website The Toast, presents this whimsical collection of hysterical text conversations from your favorite literary characters. Everyone knows that if Scarlett O'Hara had an unlimited text-and-data plan, she'd constantly try to tempt Ashley away from Melanie with suggestive messages. If Mr. Rochester could text Jane Eyre, his ardent missives would obviously be in all-caps. And Daisy Buchanan would not only text while driving, she'd text you to pick her up after she totaled her car. Based on the popular web-feature, Texts from Jane Eyre is a witty, irreverent mashup that brings the characters from your favorite books into the twenty-first century.

• Sales Rank: #57807 in Books
• Published on: 2014-11-04
• Released on: 2014-11-04
• Original language: English
• Number of items: 1
• Dimensions: 8.28" h x .87" w x 4.98" l, 1.00 pounds
• Binding: Hardcover
• 240 pages

Review

“In Texts from Jane Eyre Mallory Ortberg hilariously proves that she understands fictional characters better than they understand themselves. She makes me laugh like no one else.” ―Rainbow Rowell, bestselling author of Eleanor & Park and Fangirl

“Dear Mallory Ortberg's Publisher: Please send me 27 cases of Texts from Jane Eyre, because I ate it like it was candy coated in crack cocaine, it's the best, and I need to give it to everyone.” ―Elizabeth Gilbert, bestselling author of Eat, Pray, Love and The Signature of All Things

“Witty and literate. Smart-ass humor with an emphasis on smart. I'm not sure who I'm more jealous of: Mallory Ortberg for her comic brilliance, or whoever got to sit next to her in high school English.” ―Adam Bertocci, author of Two Gentlemen of Lebowski

“Mallory Ortberg is actually, literally the funniest person on the internet. It turns out she has also read everything. This is the smartest, most highbrow, most sophisticated literary book that will ever make you pee yourself in public.” ―Rachel Fershleiser, co-editor of Not Quite What I Was Planning: Six-Word Memoirs by Writers Famous and Obscure

“[A] splendid and wry work of humor writing...Texts from Jane Eyre is to literary culture what The Daily Show is to politics: both use satire to expose the contradictions and absurdity enabling powerful figures.” ―Los Angeles Review of Books

“What if the greatest characters in literary history all carried around smartphones and typed out messages to each other?...[A] highbrow yet subversive sensibility” ―NPR Morning Edition

“These informal, off the cuff missives are true to each character's voice, as Ortberg understands them deeply--and the result is hilarious...Don't resist. Just give in to this crazy, wonderful book.” ―Bustle.com

“Humorist Ortberg offers a side-splitting take on famous literary characters from Gilgamesh to Hermione Granger by peeking into their imagined text messages...Ortberg charmingly captures, in short, palatable bytes, what is most memorable about famous books and their indelible characters.” ―Publishers Weekly

“Ortberg finds a way of lampooning the ridiculous characters of the past (both fictional and non fiction) thanks to her endless knowledge of and passion for western literature and history and her sharp humor.” ―BUST Magazine

“[Texts from Jane Eyre] is a treasure trove of weird literary jokes which, to be honest, are our favorite kind.” ―Brooklyn Magazine

“Each [text conversation] brings a contemporary sensibility to timeless publications of yore. Be prepared to LOL--literally.” ―Los Angeles Magazine

“Anyone who is really into the classics and also has a sense of humor will appreciate [Texts from Jane Eyre]. It will make a great holiday present.” ―BookRiot's "In the Mailbag"

“[T]his book is a literary aficionado's dream!...This compendium of witty and absolutely charming text messages from and to characters that we all know...had me laughing out loud and rereading over and over again.” ―Thereviewbroads.com

“[A] super-funny book that envisions what text conversations would be like with your favorite literary legends...I recommend you pick up Texts from Jane Eyre for any book lover with a sense of humor (and maybe a cell phone.)” ―Zulkey.com

“Just in time to complete your Christmas shopping...Read it and send your AP English teacher a thank-you note. ” ―Jezebel.com

“This makes me laugh...Cliff's Notes seem so wordy now, don't they?” ―Houston Chronicle

About the Author

Mallory Ortberg is the co-creator of The Toast, a general-interest website geared toward women. She has written for Gawker, New York Magazine, The Hairpin, and The Atlantic. She lives in the Bay Area.

Most helpful customer reviews

25 of 27 people found the following review helpful.
Just brilliant.
By amanda collier
This is an affectionate skewering of your favorite literary figures of the last 2,000 years. Quality-of-execution-wise, Mallory Ortberg manages to keep everyone recognizably in character while translating their sentiments and their communication styles into contemporary terms and forms. Concept-wise, well...you obviously jumped right on something called "Texts From Jane Eyre." And it is freaking HILARIOUS.

A couple of these have appeared in her online work, but most were new to me. The few sections that were based on books I hadn't read, I was at least familiar enough with the basic premise/characters that I "got it." Medea, petulant Achilles, Pride & Predjudice, and E.A.Poe are, to my mind, instant short-form comedy classics.

One complaint. No, two complaints. TOO SHORT I NEED MORE, and also omg how did you not do "Vanity Fair"?! COME ON, that one is PERFECT. A sequel is required, with Vanity Fair. Also Ivanhoe.

8 of 8 people found the following review helpful.
Your go-to Christmas or birthday present for anyone bookish
By mostlyyalit
I'm calling it now: This book is your go-to Christmas or birthday present for anyone bookish. It's the kind of book that I would probably never buy for myself - but I would definitely grab it for a literature-obsessed friend....and I would be delighted if someone got it for me.

The concept is simple - what if your favourite literary characters had cell phones and were able to text each other? What would they say? Would they use emoji? (Answer: YES).

As you can probably tell, this book is chock full of inside jokes. Most of the books that Ortberg turns into text form are classics - you'll see everything from Odysseus to Pride & Prejudice to The Great Gatsby here. But there are also a few newer adult and YA books, like The Hunger Games, where Ortberg has spun into a hilarious story of Peeta and his obsession with baking (note: the illustrations in this book are great and I'm pretty sure that the final version will be much prettier than my ARC!)

Ortberg has clearly read a lot more classics than I have, so there were definitely some "chapters" that I skimmed through simply because I didn't know the book. But for the books, authors and poets that I have read and loved, she pretty much hits the nail on the head and had me rolling on the floor. I definitely snorted out loud a few times, because of COURSE Catherine and Heathcliff would be texting overwhelmingly scary "I love yous" to each other. Of COURSE John Keats would be obsessing over the prettiness of an urn. And of course, Frank Churchill would be texting Emma about how much he doesn't like reserved people.

There are a ton more books that have been "textified" - some of which are REALLY fun (Babysitters Club, anyone?).

The Final Word:

The best way to experience Texts From Jane Eyre is to read it a text conversation at a time - it's not one where you'll sit on your couch and read straight through (well, you might. I did!) - instead, it's the kind of book you'll leave on your coffee table and leaf through when you need a quick laugh, and pull out for your other literary-minded friends at a party so that you can giggle out loud together.

15 of 17 people found the following review helpful.
Okay I guess
By Vanessa Powell
Really deserves 2.5, premise is solid enough, but the comedic style is repetitive. The "joke" is one person, or both, texting is crazy in some manner specific to the book or author. Sometimes it works, sometimes it doesn't, a few spot on moments, but the style stretches very thin. I recommend reading it to kill time, but not as a purchase.

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[C468.Ebook] Free PDF Projects for Prada Part 1, by Patrizio Bertelli

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In his inimitable style, Dutch architect Rem Koolhaas presents his designs for Prada Stores in New York, Los Angeles and San Francisco. Beginning with the proposition that "indefinite expansion represents a crisis... it spells the end of the brand as a creative enterprise," Koolhaas suggests an alternative: "expansion can also be used for a permanent redefinition of the brand...the epicenter store becomes a device that renews the brand by counteracting and destabilizing any received notion of what Prada is, does, or will become." Koolhaas proceeds to consider general ideas of brand, expansion, tourism and workspace, before launching into the specifics of his designs for the three locations. The book concludes with the plans he developed for the use of in-store technology, expanding the usual definitions of architecture and design. This volume is chock full of images: photographs, drawings, graphs, charts, all of the visual information that Koolhaas has become known for through such books as S,M,L,XL and Mutations. In Projects for Prada Part 1 his working methods for this unique design job are presented in great depth.

• Sales Rank: #709946 in Books
• Published on: 2001
• Original language: English
• Number of items: 1
• Dimensions: 8.36" h x 1.69" w x 6.50" l, 3.45 pounds
• Binding: Paperback
• 600 pages

Amazon.com Review
Dutch architect Rem Koolhaas's firm, OMA, and Italian fashion house Prada have a lot in common: They both existed for years before they became the pets of the American moneyed elite in the mid to late 1990s. They both eschew conventional notions of what's elegant or pleasing to the eye--Koolhaas's designs often look like post-industrial origami, and Prada's like uniforms for a really chic neo-Fascist army. Most of all, they're both poised for a transition from designerati darlings to global household words.

For all of these reasons, one supposes it's fitting that Miuccia Prada sought out Koolhaas and associates to design three new "epicenter" stores for the company--in New York, Los Angeles, and San Francisco--and to create Prada's Web site. They've documented that collaboration in this hefty, molto stile paperback that illustrates how they've rethought the shopping experience in ways both high-flown (in NYC, a shoe section that converts to a theater for performances and other "non-shopping events"; an electronic customer-identification/service system that either promises or threatens to track shoppers and their "needs" more closely than the FBI's) and cleverly common-sensical (dressing rooms with simultaneous, digitally-produced front, back and side-views, phones for requesting another size, and walls you can shift from translucent--so you can model for your friends--to frosted, for privacy).

Design-wise, the stores say "Koolhaas" as we know him so far--the facade of the San Francisco one, for example, is all perforated-looking metallic grids, and elsewhere there are shiny, swooping ceilings and walls, plus glass elevators that hover among glass floors like huge floating rooms. But most of what we see in this book is funky, moody photography of the sites' models, thickly populated by white figurines with the same unsmiling hauteur of Prada's sexy real-life runway models (not enough of which are featured here, by the way). The book's minimal text, though boldly designed, strikes a strange note somewhere between the usual half-cryptic semio-speak of Koolhaas's other books, and the oppressive language of corporate self-promotion ("Our ambition is to capture attention and then, once we have it, to hand it back to the customer."). But then, isn't that as it should be? With both Koolhaas and Prada, you often suspect that their recent stranglehold over American fashionistas and theory-queens alike is of great amusement to them. Between these pages, the joke once again might be on us, but who can't take a little joke when it's as stylishly presented as it is here?--Timothy Murphy

Review
A longtime favorite of the fashion crowd, Mr. Koolhaas is the darling of Prada…he has designed its new American stores… -- The New York Times, July 23, 2001 --Alex Kuczynski

…public spaces have turned us all into shoppers, can the process be reversed?…A healthy “What if?” quality suffuses the volume -- One, Summer 2001 --Paula Champa

From the Inside Flap
Indefinite expansion represents a crisis: in the typical case it spells the end of the brand as a creative enterprise and the beginning of the brand as purely financial enterprise.

Expansion can be measured on two levels: quantity and quality.

On the level of numbers, there are simply more and more Prada stores; on the level of scale, Prada is about tot launch a number of special epicenter stores.

The danger of the large number is repetition: each additional store reduces aura and contributes to a sense of familiarity. The danger of the larger scale is the Flagship syndrome: a megalomaniac accumulation of the obvious that eliminates the last elements of surprise and mystery that cling to the brand, imprisoning it in a 'definitive' identity.

But expansion can also be used for a strategy of permanent redefinition of the brand. By introducing two kinds of stores - the typical and the unique - the epicenter store becomes a device that renews the brand by counteracting and destabilizing any received notion of what Prada is, does, or will become. The epicenter store functions as a conceptual window: a medium to broadcast future directions that positively charges the larger mass of typical stores. (REM KOOLHAUS)

Most helpful customer reviews

3 of 4 people found the following review helpful.
What can Prada be?
By B. Lauer
The other review here is quite good and explains the book quite nicely, so I will try not to be redundant. But I really found this book brilliant from a retail sales standpoint. I once had a professor of music history ask the question, "what can music be?", and this book asks the similar question of "what can shopping be?" Much credit has to be given to Prada for their investment of time and money into projects that really stretch the boundaries of the luxury shopping experience (and thanks to Rem Koolhaas and OMA/AMO for their incredible designs). And to prove that all these concepts are not merely theorized ideas neatly bound in a book, you simply need walk into the Prada SoHo 'Epicenter' store to see what it's all about.

31 of 33 people found the following review helpful.
Planet Prada ?
By Wayne Sterling
Do you love Prada? Do you hate Prada? Does the sight of those mint green walls and that little metallic triangle bring you a rush of assurance? Or does it intimidate the hell out of you?
One thing you'll conclude by the time you wallow through "Projects For Prada Pt 1" brought to you by Oma/Amo's Rem Koolhaas and the Fondazione Prada Edizioni, is that Prada IT is certainly not resting on their laurels.
Speaking of laurels, if you have always suspected the Prada company as being somewhat imperial (in the very Roman sense of the expression) then "P for P 1" is going to do very little to dispel your paranoia. In fact it'll probably amplify it. Big time.
A mere six pages in and you're hit full frontal with the boldfaced word "Expansion" before being treated to a hilarious series of conceptual maps that poses the idea of Prada vs Population, Prada vs GDP, Prada vs National Debt before concluding with the totalitarian proposition of "Prada World".(What you wouldn't give to see the look on Patrizio Bertelli's face when he saw that in the proofs .)
From that ambitious point, as they say in the streets, It's on.
The section titled "Tourism" treats you to what is in essence an exploded view of the brand's flagship store in Milan, the Prada workspace (showroom, buyer's space, prototypes. )
You then segue into an elegant distillation of Koolhaas's idea of where the Prada brand could legitimately evolve, from what the brand's idea of luxury is (or is that " will be"), to the indispensable visual elements that all the stores should carry.
After all the preamble you finally get to the nitty gritty of what Koolhaas plans for each Prada store slated to be opened in New York, Los Angeles and San Francisco.
And that means the already infamous shoe theater in NY, the underground shop windows of LA and most architectually daunting of all, the eight story Prada tower in SF complete with a mind boggling swiss-cheese facade.
And Rem's not done with you yet.. The perverse video outakes of the behind the scene meetings , a terribly abstract series on the proposed materials for the shops his flowcharts on where Koolhaas intends to take the Prada web-site and terrifying details like RFID tags for the purposes of inventory control,point of sales efficency and theft control (Damn!) .
The idea of a high-tech Prada loyalty card is brand perfect , as are the futuristic dressing rooms , kiosks and in-store display panels.
Of course Koolhass wouldn't be Koolhaas without the naughty and unlikely gestures (Prada vomit?), the out-there propositions for ad campaigns or that sustained idee fixe of the "Prada army" . But that facetiousness is totally within the Koolhaas program. After all this is the man who gleefully designed the ...Hermitage Guggenheim AND Guggenheim Las Vegas museums.
Whether meant ironically or in scary earnest the book does lay bare the brutality and the complexity of both Koolhaas' and Prada's ambition. Somebody who knows these things once told us that Prada Sport does not seek to compete with other designer lines, but rather, has its sights set on Nike . And reading P for P Pt 1 has completely persuaded this reader that sentiments such as these are characteristic of Prada culture.
The Prada store as the Disney-world for millionaire semioticians the world over, intellectual perversity as the ultimate luxury proposition, Rem Koolhaas for sale to the culture -at large. These questions and more will riddle you as you go deeper into....PRADAWORLD
But whatever side issue that will swarm in the wake of this book, one things for sure. It sure is rife with some killer one-liners.(E.G "Luxury is Rough." Amen to that!)
Every designer should have it by the bedside just to help them get that competitive spirit cracking . The world's most famous architect as the driest stand up comedian ever. Who would have thought.
 

1 of 2 people found the following review helpful.
Poor Craftsmanship
By John E. Suter
The content and design of this thick book is great. Unfortunately the quality of the manufacture of this book in no way reflects the merchandise produced by PRADA. Prior to removing the book from the shrink-wrapped plastic it was obvious that a stain from the glue had soaked thru the cover. After reading the volume for about 30 minutes the cover completely seperated from pages. Utterly disappointing.

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